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Help with rail & stile/panel raising

Pats | Posted in General Discussion on June 26, 2002 05:49am

I am trying to build some doors using rail & stile bits (Freud 99-261) and panel raising bit (Freud 99-515) When running test cuts, the panel is always fruther out than the rail & stile. If I adjust the depth of the panel raising bit to take a shallower cut I lose part of the profile on the panel. Do I have a compatibality problem with the bits that I am using. No amount of adjustment that I have tried seems to make this combilation work. Any Ideas?

Pat S.

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Replies

  1. OneofmanyBobs | Jun 26, 2002 12:01pm | #1

    How thick ?? bits are made to work

    with a specific thickness stock.

    1/2 or 3/4 usually. Use the panel

    cutter. Cut the rails/stiles without

    the groove and groove it separately.

  2. Sancho | Jun 26, 2002 05:41pm | #2

    Reading your post I assume (gulp i do that sometimes) that you mean the raised portion of the panel sicks out farther than the rails and stiles. If your panel bit doesnt have ####back cutter on it then here are your choices as I see it.

    1) plane the panel down to about 5/8, if your using 3/4 mat'l

    2) buy a seperate back cutting bit

    3) raise front and back of the panel not totally but take ####couple of passes on the back side of the panel and route the front.

    4) buy a bit with the back cutter already on the panel bit.

    5) If your making alot of doors then when your finished take them to a cab shop and pay them to run the doors through the wide belt sander.

    I hope this helps

     Darkworksite4: When the job is to small for everyone else, Its just about right for me"

  3. Joe_Fusco | Jun 27, 2002 03:51am | #3

    Pat,

    Someday I'll figure out why they call it a "raised panel". All my panels are about an 1/8" above the feild (rails and styles). I believe the in vogue "flush" panel is a mass production oddity. Since you can't run a "raised" panel through a wide belt sander and not destroy it.

    The thickness of the panel material is minimum 5/8" and the rail and style 3/4. If you set the slot to cut 1/4" from the bottom of the rail that leaves 1/2 to the top. Thus the 1/8". The short answer is make the door stock 7/8. The simple answer is leave it that way. . .

    View Image



    Edited 6/26/2002 8:52:39 PM ET by J Fusco

    1. User avater
      Qtrmeg | Jun 28, 2002 05:07am | #4

      Thicker frame will screw the profile, you need a shallower angle on the panel cutter. They have them somewhere, but I haven't found one yet.

      If someone could Google this I am all ears, but I couldn't be bothered.

      1. Joe_Fusco | Jun 28, 2002 02:23pm | #5

        The cutters are good for door stock up to 7/8" go figure. . . And what do you mean by "Screw the profile?"Just exactly what does this mean "you need a shallower angle on the panel cutter". If the panel "thickness" or the location of the "bottom" of the frame i.e. the "slot" doesn't change, changing the "angle" does nothing to help lower the panel.

        View Image

        Edited 6/28/2002 7:27:55 AM ET by J Fusco

        Edited 6/28/2002 7:40:40 AM ET by J Fusco

        Edited 6/28/2002 7:41:49 AM ET by J Fusco

        1. wflather | Jun 28, 2002 03:21pm | #6

          Joe,

          On each antique cabinet I own (quite a few), the panel is flush with the frame.  I have never seen an old cabinet (1700's, 1800's even most of the 1900's cabinets) that have panels that sit proud of the frame.  They simply planed off the panel to make thinner stock. I have often wondered why they didn't just raise both sides.  It is not a mass production thing at all.  Cabinet makers I know who don't bother to reduce the thickness of the panel stock end up with 3/4" frames and 3/4" panels that stick out past the surface of the frame.  All of the doors in my house were made in the mid-1800's, mostly 5/4" stuff or thicker with 5/8" thick panels that actually are below the edge of the frames.  Panels higher than the frames don't particularly bother me, it works just fine and if the clients like it that step is eliminated, but it's just not the way I would do it.  BTW, your door looks beautiful.

          1. Joe_Fusco | Jun 28, 2002 06:25pm | #7

            WFLATHER,

            About 15 years or so ago I saw an early 1900's case made where all the panels where above the frame. I really liked the look it gave. I've been making that way ever since. Since I myself don't own anyantique pieces, I really can't comment on it, but I do know that I hand finish all my doors like the 65 mahogany ones I'm making now. I know of quite a few makers that finish their doors using wide belt sanding machines and it is impossible for them to have the panels above the frame.I may have been incorrect in stating that the flush panel is a mass production oddity, but it's not hard to see why it could be. "My" doors have a much better "feel" and "look" then other flush panels doors. I'll not make them flush unless they are specifically requested, and that has not happened yet.

            View Image

            Edited 6/28/2002 11:27:29 AM ET by J Fusco

          2. wflather | Jun 28, 2002 08:28pm | #8

            Thats alotta doors.  How do you like working with mahogany?

          3. Joe_Fusco | Jun 28, 2002 09:21pm | #9

            WFLATHER,

            I like it a lot, it's my favorite wood. The one thing I don't like is that sometimes you get excess "tear-out" when working it. I guess tear-out isn't really accurate, more like "flakeout".Here's the "stack" I started with and enough rails and style for about 1/2 of the 65 doors.

            View Image

            Edited 6/28/2002 2:23:10 PM ET by J Fusco

          4. tjcarcht | Jun 28, 2002 09:30pm | #10

            If it's of any interest to you, I have a copy of "The Rules of Work of the Carpenter's Company of Philadelphia - 1786" which shows about a dozen raised panel designs for doors and millwork.   Consistent with the period work that I have seen in place, these came in two flavors - (1)  single-faced raised panels where the back of the panel is set back from the stiles and rails with the raised face flush with the face side stiles and rails (various bevel designs) and (2) double-faced raised panels where both faces are meant to be of equal importance and panel faces are flush with the surfaces of stiles and rails.T. Jeffery Clarke

            Quidvis Recte Factum Quamvis Humile Praeclarum

          5. Joe_Fusco | Jun 28, 2002 11:56pm | #11

            Jeff,

            It's good to know that some company in 1786 took the time to put forth what they believed the "rules" to be. I have not contested the "rules", just said I didn't like this particular one. This is purely a "taste" issue.The flavor for me is always a "proud" panel.

            View Image

          6. Sancho | Jun 29, 2002 04:31am | #12

            I can relate to your wood splintering ect. You try Hickory sometime. Its looks good but man I can be frustrating. I can wait to be using maple again.. Darkworksite4: When the job is to small for everyone else, Its just about right for me"

          7. Joe_Fusco | Jun 29, 2002 10:32pm | #19

            WFLATHER,

            I still making the stack smaller. . . Which one of the clamping schemes would you recommend to clamp these frames? They are 45° miters with a exposed spline?

            View Image

          8. User avater
            Qtrmeg | Jun 30, 2002 03:19am | #20

            Sorry for being so painfully cryptic, but I am dragging butt right now, (howz that for an excuse?).

            The cutters the original poster has will only cut the panel proud to the frame, and I don’t care what you fudge with them. If you frig with the frame bits you will throw off the reveals and cheat the integrity, you frig with the panel cutters you lose the reveals. The solution is a different panel cutter. No? I don’t know from router bits, but I know the cutters are available for a shaper.

            Joe, your cad was fine, but the width of the cut on the panel doesn’t change that much, so a more acute angle will allow for a thinner panel.

            Ordinarily I don’t mind the "raised" panel, but I have some paneled walls coming up that "I" would prefer the panels to be flush on. The client will be la la with whatever I do, but I don’t see what is so hard about getting the right cutter. Being from cow country I have to deal with Woodworkers Warehouse or go on a 3 hour tour. I very rarely mail order, but WW has nothing and if I drive 3 hours it will be to the beach.

            Geesh, I’ll Google shaper bits, this will probably take less time than explaining any of this.

          9. User avater
            Qtrmeg | Jun 30, 2002 03:33am | #21

            Ya, they say 7/8", but I fudged the frame bits to build a few stong 1" doors. I forget now what they were, but it was a rush rush to repro some passage doors for a job on a 300 year old house, and it all worked out. Same old, couldn't get the right bits in my lifetime, and if did someone wanted to make a boat payment from the deal.

          10. wflather | Jun 30, 2002 04:47pm | #23

            Joe, if I were clamping those full miters I would probably go with the bar clamps.  I haven't tried the wood block/strap clamp however.  Which do you find easier to keep everything square?  Have you ever done doors like that mortise and tenon?

          11. Joe_Fusco | Jun 30, 2002 05:12pm | #24

            WFLATHER,

            Using the Bessey® clamps is a much better way, if your piece are cut square and true it's almost automatic the frame will be square. I was just playing around with the strap clamp and corner blocks.Yes I have used mortise and tenon joints on mitered corners, but only when I have just a few doors (less then 15 or so). The spline is easier and quicker to run then the set-up for M&T's.

            View Image

          12. tjcarcht | Jul 01, 2002 10:20pm | #25

            "Rules of Work" etc.  The rules were not designs that had to be followed, these Rules of Work constituted, primarily, price-fixing for carpentry work.  They contained rules for what should be charged for specific items of work, and the few architectural drawings of details were included so there was no doubt as to what was being described.

            I guess what I should have said is that it was typical for stiles and rails to be substantially thicker than panels so that panels could be inset from the back side and yet still be flush on the front with the stiles and rails.

            Isn't "Architecturally correct" an oxymoron?   ;o)T. Jeffery Clarke

            Quidvis Recte Factum Quamvis Humile Praeclarum

          13. User avater
            Qtrmeg | Jul 02, 2002 05:54am | #26

            Ron, is your panel profile a cove? Looks like, and you lose more of your panel detail width the more you try to make the panel thinner. Might be a nice trick when you want to balance a box newel, but it isn't going to fly with a large panel.

            Also doesn't help the poor poster who started this mess, check out what cutters, sorry... router bits he is using.

            This thread did make me search for the cutters I wanted, took seconds. I'm really surprised this question didn't provide us with you need ABC with XYZ. Maybe it was better suited for a Q over with the limp wristed tea drinkers.

          14. Sancho | Jul 02, 2002 05:04pm | #27

            Yea it is a cove profile. I started thinking (dangerous?) that maybe it woulnt work with other type of profiles. But they do seel bits with back cutters. I havent tried one so I dont know but wouldnt a back cutter flush up the panel?  Darkworksite4: When the job is to small for everyone else, Its just about right for me"

          15. User avater
            Qtrmeg | Jul 02, 2002 11:49pm | #28

            Ya, a back cutter set will work just fine, (just don't ask me if they have them for routers, probably do), but if you look at the face cutter it cuts a shallower angle. There isn't any reason you couldn't make your panels thinner to miss the back cutter, if that is what you want. The job I'm thinking of is mostly wall panels, so that is probably the plan.

            Now I just need to go back to the tool boyz and see if I can get them out of doh mode. In all fairness, the guy I asked was new and I was in a hurry, (who knew?), but the store I usually go to has a guy that knows just about everything, or that is what he tells me.

          16. clampman1 | Jul 03, 2002 06:04am | #29

            clam clamps

        2. User avater
          Qtrmeg | Jun 29, 2002 05:13am | #13

          If you increase the thickness of the frame, to be equal with the panel, you will have an out of balance bead, (for example).

          If you have a panel cutter that cuts a more acute angle your panel won't be proud.

          The panel cutters are out there, I just haven't found them, (or bothered to look that hard).

          1. Joe_Fusco | Jun 29, 2002 03:12pm | #14

            Qtrmeg,

            Maybe we're just not on the same page. . .

            View Image

          2. User avater
            Mongo | Jun 29, 2002 09:29pm | #15

            Interesting replies to this discussion.

            When it comes to doors or things structural, I'm sotra in with Joe on this one. I want the panel to be inset towards the center of the rail/stile for maximum strength. Reducing the cutting profile of the raised panel cutter and cutting the back of the panel in a second separate step...vs using a backcutter installed on the panel cutter to do it all at once...gives you better control over how much the panel will stand proud of the stiles and rails.

            For non-structural raised panel systems, as used in wall wainscotting, I'll use a setup that sets the face of the panel flush with the face of the stiles and rails. I like this, as it somewhat helps protect the milled edge on the panel. Every avoided ding helps.

            The more versatile, or adjustable, your cutting set is, the easier it is to mill the material to fit the application. Or I should say, the easier it is to fit the application as you see it.

            Even when runnign wainscotting, if it's a raised panel I almost always use 3/4" stock. I'll use thinner stock if it's a flat panel.

            Architecturally, I think Jeff is probably the most "architecturally correct" person on this forum. Application-wise, I think Joe is one of the guys who can say "been there, done that" to most any situation.

            In my small world, the older homes around here (mostly 18th century construction) have a mix of both "raised" raised panel construction and "flush" raised panel construction. One of the more famous museums is noted for paintings on the wainscotting...used to be an inn way back when, the owner would take in traveling artists who were allowed to stay for free in exchange for leaving a piece of art painted on a raised panel in the house's wainscotting. The wainscotting in that house (now a museum) is both "raised" raised and "flush" raised.

            Is any one way "correct?" From the architectural purists' point of view...yes. From what works in today's generic world of construction? I think not. Vary your methods to work with the customer, the end application, the versatility (or lack of versatility) of your tools, the stock you are building with, and the aesthetic.

          3. User avater
            Mongo | Jun 29, 2002 09:39pm | #16

            Joe,

            I took Qtrmeg's comments about changing the angle of the cutter to mean you could still get a decent visual profile on the raised panel while using thinner stock.

            If you take another peek at your graphic (worth yet another thousand words, btw<g>) you can see that reducing the angle of the raised panel cutter would allow you to still get a decent width on the milled edge on the raised panel, and if you reduced the thickness (thickness taken off the "face" in your graphic) of the panel to a half-inch, then the face of the panel would be in close aproximation to the face of the stiles and rails.

            If I muddled my interpretation of his comments, my apologies to the both of you.

          4. Joe_Fusco | Jun 29, 2002 09:59pm | #17

            Mongo,

            You very rarely if ever "muddy" anything, except the occasional floor. . . ;-), but. . .

            "you can see that reducing the angle of the raised panel cutter would allow you to still get a decent width on the milled edge on the raised panel"

            Does that translate to lowering the cutter? If so that would depend on the cutting head and how much of a "tongue" is left after milling.

            View Image

          5. Joe_Fusco | Jun 29, 2002 10:20pm | #18

            Et al,

            This set should be similar to the set in question albeit this one is about 12 years old and "black" and not red. The pictures below the cutters show that the stock can be up to 7/8" thick and the panel 13/16" thick. The tongue and slot is a strong 1/4" wide and thick.What are some of the work arounds using this set to achieve the desired "flush" panel?

            View Image

  4. Joe_Fusco | Jun 30, 2002 05:58am | #22

    Ron,

    Nice work on those cabs. I haven't work with Hickory, but I know it's quite hard. Maybe the next time I'm at the lumber yard I'll pick up a few board feet and play around with it. I'll let you know how it goes.

    View Image

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